![]() Griffith), Ingeborg Holm ( Victor Sjöström), and L'enfant de Paris ( Léonce Perret) that set new standards for the film as a form of storytelling. 1913 was a particularly fruitful year for the medium, as pioneering directors from several countries produced films such as The Mothering Heart (D. Films worldwide began to noticeably adopt visual and narrative elements which would be found in classical Hollywood cinema. Griffith finally breaking the grip of the Edison Trust to make films independent of the manufacturing monopoly. In Sweden and Denmark, this period would later be known as the "Golden Age" of the film in America, this artistic change is attributed to filmmakers like D. By the early 1910s, when the Lost Generation was coming of age, filmmaking was beginning to fulfill its artistic potential. Though lacking the reality inherent to the stage, film (unlike the stage) offers the freedom to manipulate apparent time and space, and thus create the illusion of realism – that is temporal linearity and spatial continuity. Griffith silent film The Birth of a Nation (1915), starring Lillian Gish (third from right) ![]() Editing technique was extremely limited, and mostly consisted of close-ups of writing on objects for their legibility. Before the visual style which would become known as "classical continuity", scenes were filmed in full shot and used carefully choreographed staging to portray plot and character relationships. Visually, early narrative films had adapted little from the stage, and their narratives had adapted very little from vaudeville and melodrama. The Marx Brothers ) or theatrical melodramas. Most of these filmmakers started as directors on the late 19th-century stage, and likewise, most film actors had roots in vaudeville (e.g. Since the first narrative films in the mid-late 1890s, filmmakers have sought to capture the power of live theatre on the cinema screen. History 1910s–1927: Silent era and emergence of the classical style įor centuries, the only visual standard of narrative storytelling art was the theatre. The period is also referred to as the studio era, which may also include films of the late silent era. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity. It eventually became the most powerful and pervasive style of filmmaking worldwide. It then became characteristic of American cinema during the Golden Age of Hollywood, between roughly 1927 (with the advent of sound film) to 1969. Film classic Gone with the Wind (1939) starring Clark Gable and Vivien LeighĬlassical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which first developed in the 1910s to 1920s during the latter years of the silent film era.
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